7 DEADLY STYLE SINS EBOOK

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So I'm happy to announce that I've updated the 7 Deadly Style Sins eBook – now it's even better! However to claim your copy you have to be on my men's style. I want to give you an inside look at 7 Deadly Style Sins Second Edition. I've been giving style and fashion? Click here to download my Style and Grooming Ebooks. I wrote this eBook to stress the importance of paying attention to your appearance for the better. With that, I present to you the seven deadly sins of men's style.


7 Deadly Style Sins Ebook

Author:LUCRETIA WOHLER
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7 Deadly Style Sins – Download eBook. eBook - 7 deadly style sins. More than ever, men have become more aware of how their personal style cam make an. jibticutepo.ml: The Intern (Sins07 (Seven Deadly Sins) Book 1) eBook: Jess C. The grammar was bad, the editing needed to be more precise, and the style. Editorial Reviews. Review. "This is far and away the best book on the seven deadly sins: clear, Support Advanced Search · site Store; ›; site eBooks; ›; Religion & Spirituality .. Very down-to-earth in its style. This page-tuner offers.

I never quite fit in. That song was written for me to listen to. It was meant for me to feel like I belonged to something larger than I could comprehend. When I saw that Corey Taylor had written a book I literally squeed out loud and nearly peed my pants.

Every interview with him that I had watched and his lyrics that I know inside and out led me to believe that this would be nothing short of amazing. I confess myself disappointed; severely and utterly disappointed. In this book he is arguing that the Seven Deadly Sins are outdated and completely ridiculous.

If you have read or heard any of his music you would know that he believes already that organized religion is a means to controlling the general population mostly through fear. Well, my time came and went. So why the 2.

Well, I will tell you. In this book he lists his own Seven Deadly Sins and they include rape, murder and pedophilia. The one that he loses probably everyone on is bad music. I see what he means because he makes the point that the music industry is flooded with bad music.

It was an industry where people needed actual talent to create music. I suppose this would have more of an effect if I explained how awful of a singer I am. I can totally see why someone like Corey Taylor would see this as a huge sin. Music is life to him and of course he hates seeing what has become of it over the years.

I think this happens to everyone in their lives. Kids these days…and all of that. I hope it creates in you a hunger to dress sharp and become the man you know yourself to be.

And when that happens, I invite you to reach out to me and learn even more. Return to Table of Contents This eBook is proudly brought to you free of charge by Blue Claw Co Men want 3 things from a piece of luggage 1 Durability it should last for decades and protect their clothing.

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Seriously I have three of his bags and am routinely complimented on how great the bags look read my story here. The simple answer is that it's easy to keep creating content and fashions for people to download as long as you write about the very specific things that people should be doing right this moment to look better.

Updated & Still FREE – 7 Deadly Style Sins 47 Page Ebook

The purpose of this guide is to get away from that fashion-chasing mentality and lay out the things that will always be the wrong choice. Our goal is to provide you a comprehensive guide on how to avoid looking bad instead of yet another guide on a single new look or strategy. Without beating around the bush, we've broken down seven basic mistakes that most men are guilty of at least once or twice in their life: Sin 1 - Bad fit.

Most men don't realize it, but the way their clothes hang on their body is actually the most defining aspect of their appearance.

Sin 2 - Not Dressing for the Occasion. An over- or under-dressed man makes everyone around him feel a little awkward. Know what you're getting into at various social and business events, and know how to dress for every level of formality.

Sin 3 - Mismatching Patterns. Patterns that don't go well together jar the eye. Wearing nothing but solid colors is boring. Learn how to avoid both! Sin 4 - Mismatching Color. Forget "honey, does this tie go with Sin 5 - Dressing Your Body Inappropriately. Some "looks" work well on certain body types, but seem ridiculous on others. Don't be tempted into a bad style just because it happens to be trendy -- you've got to know your limits.

Sin 6 - Choosing Quantity over Quality. A wardrobe stuffed full of bad clothes is no substitute for even a lean closet of garments that make you look like a million bucks. Be strategic with your downloads, and know the quality of what you're downloading. A well-chosen outfit can be marred -- or improved -- by details as small as the cufflinks or the pocket square.

Know what details people are going to care about, and how to get them right. Knowing and avoiding these Seven Deadly Sins" of menswear is the fastest way to look sharp every time you step out the door. It won't matter if you've bought the latest fashion, because your wardrobe is based on the timeless rules of menswear - the classic style that's endured.

You'll also wind up saving money by relying on pieces of clothing that last for years and serve equally well in different outfits and combinations rather than downloading a single article for every occasion. Of course, there's an ethos that says men shouldn't worry about dress at all.

We should be judged solely on our merits and not our appearance. It's a nice idea, but scientifically unsound -- the human brain makes most of its judgments visually. We form our impression of people within a few seconds of meeting them. Later interactions might change that impression, but the brain will continue thinking that a quality dresser is a quality person.

Other men prefer to look at dressing well as an act of personal transformation: I wear the clothes of the powerful, therefore I become the powerful. Or you might choose a style that looks more responsible, or older, or younger, or more relaxed, or more artistic -- the point is that looking a particular way will help you to feel that way as well. And looking good will always translate to feeling good. It's one of those lessons that you can't teach someone until they try it for themselves, so just give it a shot and see what we mean.

Perhaps most importantly, dressing well is a habit that makes you a cleverer, more observant human being, to say nothing of a more diligent one.

The self-discipline it takes to iron your own shirts when they start getting wrinkled is the same mental skill that gets you to put in those extra, boss-impressing or subordinate-inspiring fifteen minutes before and after work.

Thinking about your clothing first thing in the morning wakes you up and puts your brain in high gear before you get out the door. Once fine clothing becomes a habit of thought, you begin to notice it in other men as well. Return to Table of Contents Of course, joining that fraternity does require a touch of foreknowledge and preparation, and this guide provides the basic information you need to get started as a well-dressed man.

By avoiding the fundamental "Deadly Sins" of menswear, you'll be able to craft a look that's sharper and more consistent than the trend-driven approach to fashion. Sin 1: Bad Fit Return to Table of Contents The first deadly sin of menswear -- and the most common -is choosing poorly-fitted garments. Most men in America download suits and shirts that are between one and two sizes too large for them.

Closely-fitted clothing is viewed as stifling and uncomfortable, the product of a bygone era when individuals suffered for their style.

The important thing to remember about those formal decades of the early twentieth century is that menswear was still a tailordominated industry; most suits were still being made to an individual's measure. Even department stores paid in-house tailors to take the store's base model suits and adjust them for every client. Without human tailoring involved, menswear depends on general parameters of human body shape to create numerical sizes.

Any part of the body that falls outside those parameters will be pinched uncomfortably in the case of a man too large for part of his suit or lost in drapes of loose fabric if the suit is sized too large.

Beyond comfort, a proper fit is simply better-looking. Good tailoring can emphasize a man's most attractive features and draw the eye away from everything else. Return to Table of Contents Different body types will seek different effects discussed in Chapter 5 , but no one is flattered by clothes that look like a loose sack, or that wrinkle and pinch tightly at the joints. The smooth, unbroken line of a well-fitted suit or shirt is the centerpiece of a well-dressed man's appearance, and other efforts will be wasted without it.

How, then, to determine when a garment fits? Comfort should be the first guideline -- anything uncomfortably tight is too small, especially if the fabric bunches up with the body's movements. Beyond that, tailors over the years have settled on a few basic conventions that guide flattering fits for most men: Jacket Fit Jackets, whether individual sportcoats or parts of suits, are primarily characterized by their overall shape, often called the silhouette.

Without delving into the history of style too far, it is sufficient to say that silhouettes usually fall somewhere between the very traditional European-style suit and the loose, unfitted "sack" suit.

Return to Table of Contents Most jackets in America these days are something of a compromise between the two extremes, soft and draping at the hips and shoulders but brought in a bit at the waist and chest. Comfort is the best guide here -- a suit that constricts around your flesh when you move is too tightly-fitted, and should be looser in the constrained area. In general, you want your jacket to remain stationary as you move; the fabric should not be tugged along with your motions.

If cloth billows or spreads when you move, the fit is too loose. The movement of the jacket is also heavily influenced by the venting - the presence and number of slits running upward from the base of the jacket.

While single-vented jackets with a single slit up the middle of the back are the cheapest to produce, and have become the default style for most manufacturers, they are also the least flattering option for most men. An unvented jacket will usually provide the closest and smoothest fit, but bunches in the back when a man sits or puts his hands in his pockets -- these are often favored by politicians or other men who are required to stand in one place and speak, but may not suit more active men, or men whose interactions are primarily done sitting down.

For them, the double-vented jacket is ideal, with two slits up the back creating a wide square of fabric that moves with the motion of the legs beneath. Double-vented jackets also allow a man to put his hands in his pockets without hitching the back of the coat upward, which has made them very popular in England where putting your hands in your pockets is considered more normal and less of a social faux pas than in America.

Jacket lapels, the folded pieces of cloth that cover the chest, have varied with fashion throughout the years, but a balanced look is never unfashionable, and can keep a suit appropriate no matter what the current trend is.

Look for the outermost point of the lapel to fall halfway between the shirt collar and the end of the shoulder, or just shy of that point.

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So long as the lapel is near that halfway mark, the numeric measurement is not an exact standard. Jackets are generally longer in the back than they are in the front, which allows them to flow visually down into the trousers; at minimum, the bottom of the jacket should cover the bottom curve of the buttocks.

Anything shorter will rest awkwardly on top of the buttocks and look like a tiny skirt -- the opposite of the desired effect. There is something of an old wives' tale in menswear to the effect that the jacket should end halfway down a man's hand when his arms are resting at his side; while being somewhere in that neighborhood is visually appealing, there can be a large difference in arm lengths even between two men of the same height.

Use the curve of the buttocks to determine where the jacket should fall instead. Most errors of fit can be remedied by simply knowing the warning signs of a bad fit.

If cloth bunches or pinches in any place the fit is too tight; likewise, if the cloth is loose and billowy the fit is too large. A jacket collar is too loose if it stands off the neck with a gap between the fabric and the shirt collar.

Sleeves that completely conceal the shirt beneath are too long. A half-inch of shirt fabric should show at the cuffs, allowing the buttons of the shirt cuff to be visible. If a vest is worn, it should not touch the points of the shirt collar at the top, but should reach the waistband of the trousers at the bottom. Shirt Fit Unlike the jacket, which hangs along the frame and offers its own unique shape, men's dress shirts are meant to be worn as close to the body as possible regardless of your physical shape.

Like jackets, the test of the fit is first and foremost comfort -- a shirt that hangs loosely, or that balloons around the waist when tucked in is too loose. A shirt that pinches or bunches up with movement is too tight. The soft cotton of a quality dress shirt allows a close fit to be very comfortable. Most manufacturers offer shirts sized by both the collar and the sleeve length, which makes them somewhat easier to fit than suits.

Most humans have one arm longer than the other, making some minor adjustments to the sleeves flattering. The "yoke," the panel across the back of the shoulders, is often made of two slightly differently-sized panels on custom shirts, and as a result the "split yoke" is generally taken as a sign of quality manufacture although some mass-produced, untailored shirts have begun to appear with split yokes for precisely that reason. The proper fit for a shirt is easy to judge visually: the two sides of the collar should meet neatly at the throat, with no overlap and no gap requiring the button to stretch tightly.

The collar should extend a half-inch above the collar of a suit jacket or sportcoat. The cuffs of the sleeve should reach all the way over the joining of the hand and wrist, easily found by the two large knobs of bone on either side of it.

At the bottom, the shirt should fall four to six inches past the waistband of the trousers, giving enough extra cloth for the shirt to be tucked in.

7 Deadly Style Sins – Free Men’s E-book – Online Video Guide

Trouser Fit Return to Table of Contents Many men struggle with finding a good trouser fit in the dressing-room, and this is generally because they are attempting to wear the pants too low on their body. Dress pants are cut to be worn at the waist where they can fall smoothly past the belly instead of digging under it and creating an unsightly bulge. Wearing trousers down at the hips requires them to be belted tightly, and the extra fabric -- meant to cover the bottom of the torso -- will sag and balloon around your middle.

It also requires the dress shirt to be longer so that enough fabric remains to tuck the shirt in with and that extra cloth also risks becoming loose and billowing.

Well-fitted trousers taper: they should be wider at the tops of the legs than at the knees, and wider at the knees than at the base of the legs.

The cuff or uncuffed bottom of the legs should rest directly on top of the shoe, and looks best when it is wide enough to cover between half and three-quarters of the shoe's length. At the tops of the legs, the center seam of the trouser should be as close to the body as comfort permits, preventing the fabric from sagging. As always, move in the trousers when trying them on -- if the crotch sways and billows, it needs to be brought up further. If the front of the legs wrinkles and bunches as you move, the trousers are too small seeing if you can fit your hands into the pockets easily is also always worth testing.

Return to Table of Contents Pleats are not strictly speaking an influence on fit, but they do allow the trousers to move and flex more easily, and are generally considered preferable to plain-fronted trousers. The small, vertical folds require additional cloth in the seat and thighs, which billows when worn too low, contributing to the modern misconception that pleated trousers make your bottom look bigger.

Worn high enough on the body, pleats drape in smooth, vertical lines, which actually have an overall slimming effect. They open when the fabric is stretched by sitting, preventing the fabric from pulling tight and bulging.

If you do opt for pleats, be sure the fit is loose enough that they do not pull open when you stand still -- the pleats should only change shape when you sit or bend over. Resting, they should be plain vertical lines. Need more help with fit, such as tips on casual wear and tailoring?

I discuss this in my premium content - Click Here. Sin 2 Not Dressing for the Occasion Dress Codes, Formality, and Knowing What to Wear Return to Table of Contents The second most-common failing in most men's clothing is the simple error of showing up for an event either over- or underdressed. The former is harder to do than the latter, but still awkward -- a tuxedo will stand out anywhere that isn't black-tie, and a matched suit looks strange outside of formal business settings or particularly dressy social occasions.

Conversely, wearing casual trousers and an informal, patterned jacket or no jacket at all can be a serious disadvantage in high-stakes and high-formality dealings. The first and easiest way to be sure of wearing the right thing is to follow the dress code, if one is offered -- most social occasions will include this information in an invitation.

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Understanding the basic terminology makes wardrobe choices significantly easier: White Tie Rarely seen on modern invitations, white tie is the most formal of dress codes. It includes tailcoats, piped trousers, and white waistcoats, and is prohibitively expensive for most men. Unless you happen to attend jet-set dinners or work for very large charities, you're unlikely to ever face the white tie code. Black Tie Black tie or evening dress means that a black or midnight blue dinner jacket and matching trousers is expected.

A silk bow tie is the only appropriate neckwear matched to the lapel facings and patent leather pumps or highly-polished Oxfords are the only shoes that should be worn. The shirt should be white, French-cuffed, and fastened with studs. Black Tie Optional Return to Table of Contents Black tie optional is frequently used for ceremonies where the participants will be formally dressed, but want to spare their guests the necessity of owning or renting a tuxedo.

A solid, dark suit with a dark tie and a white undershirt is perfectly appropriate at these events, but anything patterned is too informal. Once again, shoes should be unadorned black Oxfords. Semi-Formal or Business Dress Semi-formal or business dress should not be confused with casual or business-casual; a suit is still expected. The fabric should be dark and patterning kept to a minimum, and the shirt should be unobtrusive and lightcolored.

A tie is necessary, as are simple, conservative shoes and belt. Business-Casual or Dress-Casual Business-casual or dress-casual implies that a tie in particular is optional, and in some circles also indicates that a jacket can be omitted or replaced with a sweater, vest, or similar garment. The shirt must still be collared, and dress trousers are expected. Any leather dress shoe is appropriate. Casual Return to Table of Contents Casual is not anything-goes; any event that bothered to provide a dress code still expects attendees to look neat and wellpresented.

However, jeans and casual shirts including polo or golf shirts are appropriate, and dress shorts may also be considered within bounds in hot weather. Leather sandals, moccasins, or boat shoes may be worn. When no specific code is given, it may be best to err on the side of conservative dress and wear clothing that can be adjusted if necessary -- a suit that proves to be too formal can be dressed down by removing the tie, or the jacket of a casual outfit can be set aside to leave you with a simple collared shirt and trousers.

When more casual codes are in place, resist the temptation to throw on an old polo and a pair of khakis; the result will be looking like every other schlub in the room. Practice the art of dressing up while dressing down instead: wear light, loose sportcoats with active patterns and softer colors to look casual without losing the flattering shape of a well-cut jacket.

In the summer heat, lightweight materials can keep trousers and long-sleeved shirts a viable option -- and there's always the American classic of the seersucker suit, the very epitome of Southern casual. Overall, it's easy to avoid being the wrong-dressed man if you keep your wardrobe versatile enough to conform to different dress codes and pay attention to expectations at public events.

And in general, remember that it's always safer to be overdressed than under, since clothes can be removed but not added without a trip home, at least. Need more help with dress code specifics? Sin 3: Mismatching Patterns Some men mismatch patterns to jarring effect, while others try to avoid the issue by wearing only solid colors, neither of which takes advantage of one of the defining features of clothing.

Ditch the shyness, learn the basics, and make pattern a functioning part of your wardrobe -- not just something that happens to be there, but something that makes a statement about you. Levels of Pattern Formality First off, understand that different patterns are acceptable in different social situations. Different cultures put slightly different emphasis on the importance of pattern -- Return to Table of Contents Somewhat more complicated than following a dress code, the art of choosing the right pattern for both your build and for different degrees of formality is another common area of failing for men.

Return to Table of Contents Solid colors are the most formal end of the scale, while overstated patterns like paisleys and polka-dots are so casual as to be almost entirely absent from menswear. Remembering the basic break-down of dress codes from the last chapter, you can generally assume that only solid colors are appropriate for formal or semi-formal occasions, modest pinstriping becomes acceptable at the business level, and bolder patterns should only be worn in dress-casual or casual situations.

This applies to jackets, trousers, and shirts; ties should also be kept solid at the upper levels of formality, but have a somewhat wider array of options in the more casual strata. Matching and Contrasting The most basic rule of patterning is never to match the scale of the pattern from one piece of clothing to the next.

Return to Table of Contents That is to say, if you wear a suit with narrow pinstripes, neither your tie nor your shirt should feature the same. A broad chalk-stripe on the shirt and solid tie or a solid shirt with a broadly-striped tie would be a better fit, and so on. People with a shallow understanding of clothing may extend this rule and simply say that you shouldn't wear differing patterns, but they are missing the point -- a shirt covered in small, delicate crosshatching is not inappropriate with a broadly striped suit, nor with a "figure" tie featuring a repeated crest or monogram.

Colored Patterns vs. Textured When choosing patterns, be aware that they come from two different sources: the contrast of different colors in the dye or printing of the fabric, and the texture created by its physical weave. The latter is much subtler than the former, but equally important; there's a reason that no one puts pinstripes on a herringbone tweed suit.

Patterns created by colors are more noticeable and eye-catching, and therefore somewhat less versatile. They should be used to make a bold statement, but not in very formal situations, or in situations where you are expected to take a more supporting social role and avoid attracting attention. Examples of these include most striping, checks, "windowpane" patterns of broad gridlines, and plaids and printed figures.

Unless done in very muted colors, or in colors that are very similar to one another, these sorts of pattern will be the centerpiece of an outfit, so use them sparingly.

Patterns formed by the texture of the cloth are more understated, and can be used more freely than bold prints. Many solidcolor garments are made more eye-catching with a textured weave; the repeating chevrons of herringbone is probably the most famous example, giving the classic gray tweed sports coat a dash of detail and breaking up its visual impact. Wear clothes with textured patterns to support your ensemble while keeping it from being just another set of single-color clothes, or where the added depth of the weave serves a practical purpose -- woven wool ties, for example, hold heavy knots better than silk.

Return to Table of Contents Types of Pattern Assuming that patterns are going to be worn, remember the basics -- larger, bolder patterns are less formal than small or understated ones, and the scale of the patterns in your various garments should differ noticeably.

Within those parameters, fashion has produced a handful of staples that will always serve well in a gentleman's wardrobe: Solids Solids are the obvious first choice for formal or business occasions, and are often preferred when a garment is not meant to be the centerpiece of an outfit. If you have a fine suit, wearing it with a simple, muted shirt in a solid color allows it to shine.

Stripes Stripes refer to vertical striping, and can run the gamut from classic pin striping to the equally-sized blue and white stripes of the traditional seersucker suit. Pinstripes are very narrow stripes, usually white or gray, against a solid background.

As stripes widen, the formality of the garment decreases, particularly in the case of a pattern with more than one color of stripe. Modest striping is a good way to liven up an undershirt, particularly one worn with an otherwise solid, muted outfit.

Checks Checks are even less formal than stripes, but still appropriate for casual suits, and completely at home in a casual jacket or a dress shirt.

Plaids are the most familiar example, and the gray-dominated Glen check is still a staple of business-casual menswear. The word "check" can also refer to windowpane styles of pattern, which are created by intersecting vertical and horizontal lines set apart from one another in a broad, regular grid.

Windowpane suits are uncommon, and even jackets are not a routine sight, but small windowpanes have become quite widespread in dress shirts and can match well with a striped or solid suit. Conversely, muted plaids do still make occasional appearances in suits and jackets, but plaid shirts are generally considered strictly the purview of lumberjacks and farmers or at least country gentlemen on the weekend.

Figure Figure pattern is a catch-all term for any repeating design or emblem, encompassing paisley, polka-dots, and more. Generally reserved for ties, there are some dress shirts with printed figure patterns; these generally work best if the colors are muted and similar and the design reasonably subtle.Thinking about your clothing first thing in the morning wakes you up and puts your brain in high gear before you get out the door.

What are the updates? Trying to wear fashions meant for men of a very different shape is just setting yourself up for embarrassment, so know what the classic styles for your physique are.

However, trouble is on the horizon as their journey continues. Here, the more commonly-used man-made fiber is actually the superior option -- silk, while light and smooth, wrinkles and folds more easily, and is prone to collecting static energy and clinging to the wearer.

Simply be aware of the fibers purpose -- in small quantities, it likely serves a specific function, while large percentages of man-made fibers indicates a costsaving measure that may not have taken comfort or appearance into consideration. Return to Table of Contents Anything that breaks the eye's journey up the tall man's body will be flattering, so horizontal lines and other side-to-side elements like jacket pockets and belts are desirable.